Bookmarks

You haven't yet saved any bookmarks. To bookmark a post, just click .

  • Nikon Z 7II Create Your Light: Wildlife photography with squirrel whisperer & wildlife photographer Konsta Punkka

  • From weddings to wildlife! The #CreateYourLight journey takes a turn into the wild with theme 16 #ShootingWildlifePhotos! Who better to approach for insight in this genre than squirrel whisperer & wildlife photographer Konsta Punkka. We invite you to get closer to nature and learn from his extensive experience photographing bears and wolves in Eastern Finland close to the Finnish - Russian border. Continue reading to find out how to use a hide, conceal your camera, shoot remotely—and to make the most of your gear.

    "I have been photographing wildlife, especially mammals, for the past five 5 years here in Finland. The subject varies from foxes to moose to wolves and bears, so when I heard that I would have a chance to test out the new Nikon Z 7 II camera with Z series lenses, I immediately knew that I would love to try the new gear to photograph a wolf pack here in the Eastern Finland. I have been photographing local wolves in the Finnish - Russian border quite a few times this year. This spring two new wolves were born to the pack and I have been documenting their life pretty intensely.

    Shot on the Nikon Z 7II + NIKKOR 400mm f/2.8G @ 1/800s, f/4.5, 400mm, ISO 2500. Photo © Konsta Punkka

    Photographing shy animals in the wild

    When photographing wolves or bears in Finland, you have to use a hide to photograph the shy animals. The hide is a small wooden box where you have gaps for your cameras in the wall and reflective windows to observe the local wildlife without disturbing them. We had planned to stay in the hides for a few days and see what nature had in store for us.

    On the first day, we decided to use a hide close to a local swamp area. Local bears and wolves had been seen in the area quite frequently the past few days so my hopes were high. After a few hours of waiting, the first bear came to the area. I had my Nikon Z7 II camera body attached to my 400mm f2.8 lens with the FTZ adaptor. I slowly moved the camera around and managed to capture some first nice images of it.

    Shooting portraits of wild animals in their natural habitat

    'It is nice to have a longer lens when capturing close up portraits of bears and wolves that can pass the hide up to 100 meters away.' Portrait of a bear: Nikon Z 7II + NIKKOR 400mm f/2.8G @ 1/320s, f/2.8, 400mm, ISO 4000. Photo © Konsta Punkka
    Shot on the Nikon Z 7II + NIKKOR 400mm f/2.8G @ 1/320s, f/2.8, 400mm, ISO 1600. Photo © Konsta Punkka
    Portrait of a bear: Nikon Z 7II + NIKKOR 400mm f/2.8G @ 1/320s, f/4.0, 400mm, ISO 4000. Photo © Konsta Punkka

    It is nice to have a longer lens when capturing close up portraits of bears and wolves that can pass the hide up to 100 meters away.  I mostly use a single spot focus to focus on the animal first and then reframe the image, but this time as I was unaware of the bears movements, I used the continuous AF to keep the focus on the animal while it ran through the bushes. I also tried out the Nikon Z 7II's animal eye detecting focus system, which worked great especially with the wolves.

    'I also tried out the Nikon Z 7II's animal eye detecting focus system, which worked great especially with the wolves.' Portrait of a wolf: Nikon Z 7II + NIKKOR 400mm f/2.8G @ 1/400s, f/2.8, 800mm, ISO 800. Photo © Konsta Punkka

    Planning is everything

    While I had my 400mm f2.8 lens attached to my Nikon Z 7II in the hide, I also wanted to try to capture some wide angle animal photos of the bears and wolves. I had a plan to put my other Nikon Z 7II body on a tripod with the new NIKKOR Z Series 14-24 f/2.8 lens and control the camera remotely from my hide.

    I hid the tripod using some leaves and branches I could find and left the camera facing the landscape where the animals often come to the area. I set the Nikon Z7 II on Bluetooth mode to control the camera using Snapbridge. I then went back to the hide and was able to wake the camera up with the app whenever any animal would pass the remote controlled camera close by.

    Nikon Z 7II + NIKKOR 400mm f/2.8G @ 1/1250, f/4.5, 400mm, ISO 400. Photo © Konsta Punkka

    As the daylight fades away relatively fast this time of year, I put the setting on ‘Aperture priority’ mode allowing me to choose the aperture and then letting the camera to choose which shutter speed and ISO to use with the current light situation. As we stayed in the hide for six 6 straight hours, there's no access to change the position or batteries during the photoshoot. Even though the camera was on stand-by mode for the whole time, there were no problems using Snapbridge to connect to the camera and the battery life was amazing.

    After a successful first day with a few bears and wolves, we decided to change location to a local pond area to try to capture some different kind of images of the bears and wolves. And oh boy, what a show we got to see!

    After arriving at this new location, the whole wolf pack came to the area. Playing around the pond and running all around the swamp, it was the most wolf activity I had ever seen in a day. I had my Nikon Z 7 II body attached to my 400mm lens again and on the other side of the pond, I had my remote controlled camera with the 14-24 f/2.8 wide angle lens.

    After a few hours of taking hundreds of photos of the wolves, I suddenly saw a golden eagle landing in the area. I quickly changed my single spot focusing to 3D focusing point with the continuous AF to capture as much as possible of this beautiful eagle's flight. Even though the golden eagle was flying between the trees, the Nikon Z 7 II kept the focus perfectly on the subject and I was able to capture the whole flying sequence.

    'I quickly changed my single spot focusing to 3D focusing point with the continuous AF to capture as much as possible of this beautiful eagle's flight. Even though the golden eagle was flying between the trees, the Nikon Z 7 II kept the focus perfectly on the subject and I was able to capture the whole flying sequence.' Nikon Z 7II + NIKKOR 400mm f/2.8G @ 1/640s, f/4.5, 400mm, ISO 3200. Photo © Konsta Punkka

    In the end, the two days spent in the Finnish-Russian border zone were some of the most successful ones I have had with the wolf pack. Close up encounters and action sequences - everything I had dreamed about and more!

    The Nikon Z 7 II managed the two days in the hide especially well with the battery life. The new double processing power helped me to focus faster and not to miss any moments, and the two card slots gave me enough space to capture everything without buffering. I cannot wait for my next trip with this gear!


    That was it from Konsta! We hope you learned a thing or two about capturing the power and beauty of animals and birds in their natural habitat. While not many of us live close to the wild, we can still use his tips to capturing different animals nearby. Share your best shots with us using the hashtags #CreateYourLight and #ShootingWildlifePhotos and tagging any of our channels:

    Nikon Europe: Twitter, Instagram

    Nikon UK: Facebook, Twitter, Instagram

    Nikon France: Facebook, Twitter, Instagram

    Nikon Germany: Facebook, Instagram

    .. or any other Nikon social media channel of your preference.


    Looking for more tips? Here are some from NIKON SCHOOL

    Supported by two Expeed 6 processors the new Z 7II offers powerful autofocus options and great low light AF performance. Here’s a couple of quick tips on how to get started using the AF modes:

    For static subjects use Single AF mode and utilize any of the 493 AF points to frame you image perfectly and place the focus right where you want – no need to focus and reframe. If the subject moves slightly, like a leaf falling from a tree, switch from “AF-S” (single) to “AF-C” (continuous) mode, hold your shutter half pressed or your AF-On button and the camera will track the movement as long as the subject is still under an active focus point or area .

    The Z 6 II offers many ways to track moving subjects including Auto Area, dynamic focusing and wide area or small area focusing modes.  When you are dealing with moving subject. To get started tracking subjects quickly, select AF-C and then one of the “Auto-area” modes, either Human or Animal eye tracking depending on the subject you are tracking.

    For more flexibility, or if you want to track something other than a human or animal, you don’t have to switch the settings at all. Just press the “ok” button on the back of the camera, and track subjects using the Subject Auto AF tracking AF mode. Looking through your viewfinder or on the your rear LCD backscreen you now see a white box, which can be moved around with the multi selector control buttons on the back of the camera or simply by tapping on the subject on your touch screen. The box turns yellow and will track your chosen subject as it moves across the frame. To release tracking or choose another subject, simply press the “okay” button and reposition the AF box to your liking. Switching back to eye / face detections is just as easy: just hit press the “-“ button next to the bottom of the touch screen.

    Bonus Pro Tip

    The AF-ON button on the Z series camera enables you to use ‘back button focusing’. This is an advanced way of focusing your camera and enables you to achieve a high rate of ‘keepers’ especially when shooting fast moving subjects ultilising the increased frame rates and buffer performance from the Z 6II or Z7II. If you keep the ‘AF-ON’ button pressed down continually, you are now focusing the camera with the ‘back button’. The shutter is now used to shoot your images while you hold the AF-ON button down. To get even more performance from the Z series Auto Focus system, you could use the custom settings menu and adjust the tracking sensitivity to determine how long the camera holds your subject in focus. To find out more about this setting and also to get the best from your Z series camera, join us on one of our Nikon School Online courses , where we can take you through all of the advanced settings on your Z series camera.